CSI Library: Films and Live-Streaming Videos: Home

About this Webpage

This website offers resources of films and videos that are available at the CSI Library. Below are scholarly resources that will lead you to research materials on film and video titles. In the left frame are three film databases that hold live-streaming films and videoclips for you to explore.

Index to films, actors, and the industry

Film Literature Index
Citations to film and television literature from 1976-2001. Includes over 200 periodicals from over 30 countries from popular and scholarly magazines and journals such as Camera Obscura, Screen, Variety, Jeune Cinema, Films in Review, Sight and Sound, Film Comment, Media Information Australia, and the Journal of Popular Culture.

Online Journals Available Without Subscription

Bright Lights Film Journal
Popular-academic hybrid of movie analysis, history, and commentary
Film-Philosophy
Fully Open Access
Dedicated to the engagement between film studies and philosophy.
German Films Quarterly
English-language edition
A quarterly publication on the current German production scene. Each issue features portraits on Geman directors, producers and actors, as well as information on new and upcoming German films.
Images: A Journal of Film and Popular Culture
Journal of Religion and Film
Fully Open Access
Jump Cut: A Review of Contemporary Media
Begun in 1974 as a film publication, JUMP CUT now publishes material on film, television, video, new media, and related media and cultural analysis.
Kinoeye
Kinoeye was an online journal of European film published between 2001 and 2004, and prior to that it was a column in Central Europe Review. All issues available online.
Scope: An online journal of film and television studies
Provides a forum for discussion of all aspects of film and television history, theory and criticism. provides a forum for discussion of all aspects of film and television history, theory and criticism. Fully Open Access.
Senses of Cinema
Concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic, and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study.