Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.
Tambudzai dreams of education, but her hopes only materialise after her brother's death, when she goes to live with her uncle. At his mission school, her critical faculties develop rapidly, bringing her face to face with a new set of conflicts involving her uncle, his education and his family. Tsitsi Dangarembga's quietly devastating first novel offers a portrait of Zimbabwe, where enlightenment brings its own profound dilemmas. Nervous Conditions won the 1989 Commonwealth Writers Prize and has been “hailed as one of the 20th century’s most significant works of African literature” (The New York Times).
From the winner of the 2021 Nobel Prize in Literature, Abdulrazak Gurnah, a sweeping, multi-generational saga of displacement, loss, and love, set against the brutal colonization of east Africa. When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back-until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, threatening once again to carry them away.
This book of short stories written by Ghanaian Uwem Akpan was the 2009 Winner of the Commonwealth Writer's Prize. Each story in this jubilantly acclaimed collection pays testament to the wisdom and resilience of children, even in the face of the most agonizing circumstances. A family living in a makeshift shanty in urban Kenya scurries to find gifts of any kind for the impending Christmas holiday. A Rwandan girl relates her family's struggles to maintain a facade of normalcy amid unspeakable acts. A young brother and sister cope with their uncle's attempt to sell them into slavery. Aboard a bus filled with refugees-a microcosm of today's Africa-a Muslim boy summons his faith to bear a treacherous ride across Nigeria. Through the eyes of childhood friends the emotional toll of religious conflict in Ethiopia becomes viscerally clear. Uwem Akpan's debut signals the arrival of a breathtakingly talented writer who gives a matter-of-fact reality to the most extreme circumstances in stories that are nothing short of transcendent.
'All the men I did get to know, every single man of them, has filled me with but one desire: to lift my hand and bring it smashing down on his face. But because I am a woman I have never had the courage to lift my hand. And because I am a prostitute, I hid my fear under layers of make-up'. So begins Firdaus' story, leading to her grimy Cairo prison cell, where she welcomes her death sentence as a relief from her pain and suffering. Born to a peasant family in the Egyptian countryside, Firdaus suffers a childhood of cruelty and neglect. Her passion for education is ignored by her family, and on leaving school she is forced to marry a much older man. Following her escapes from violent relationships, she finally meets Sharifa who tells her that 'A man does not know a woman's value... the higher you price yourself the more he will realise what you are really worth' and leads her into a life of prostitution. Desperate and alone, she takes drastic action. Saadawi's searing indictment of society's brutal treatment of women continues to resonate today. This classic novel has been an inspiration to countless people across the world.
When war break out in South Africa, a fugitive white family takes refuge with their black servant, July. A startling, imaginative novel from the winner of the 1991 Nobel Prize in Literature, Nadine Gordimer. A violent war for equality has come to the white suburbs, driving out the ruling minority. For years, it had been what is called a "deteriorating situation." Now all over South Africa the cities are battlegrounds. The members of the Smales family--liberal whites--are rescued from the terror by their servant, July, who leads them to refuge in his village. What happens to the Smaleses and to July--the shifts in character and relationships--gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites. "So flawlessly written that every one of its events seems chillingly, ominously possible."--Anne Tyler, The New York Times Book Review
A haunting story of love and war from "one of the world's great contemporary writers" (Barack Obama), the best-selling author of Americanah and We Should All Be Feminists. With effortless grace, celebrated author Chimamanda Ngozi Adichie illuminates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a thirteen-year-old houseboy who works for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor's beautiful young mistress who has abandoned her life in Lagos for a dusty town and her lover's charm; and Richard, a shy young Englishman infatuated with Olanna's willful twin sister Kainene. Half of a Yellow Sun is a tremendously evocative novel of the promise, hope, and disappointment of the Biafran war.
This is one of the best-known plays by Africa's major dramatist and the 1986 Nobel Prize Winner for Literature, Wole Soyinka. It is set in the Yoruba village of Ilunjinle. The main characters are Sidi (the Jewel), 'a true village belle' and Baroka (the Lion), the crafty and powerful Bale of the village, Lakunle, the young teacher, influenced by western ways, and Sadiku, the eldest of Baroka's wives. How the Lion hunts the Jewel is the theme of this ribald comedy. Soyinka was the first black African person to win the Nobel Prize for Literature.
In this semi-autobiographical novel, Head tracks the protagonist Elizabeth's struggle to emerge from the oppressive social situation in which she finds herself, and from the nightmares and hallucinations that torment her. Elizabeth, like the author, was conceived in an out-of-wedlock union between a black man and a white woman of social standing - a union outlawed by her country of birth, South Africa. Elizabeth leaves South Africa with her young son to live in Botswana, a country that has escaped some of the worst evils of colonial domination. But in rural Botswana she is once again faced with a constricting social system as the villagers are suspicious of her urban ways and frown upon her individualistic behaviour.
"Having failed his examinations at college, Medza returns to his village in the Southern Cameroons in some trepidation. But to his surprise he finds that as a scholar (even a failed one) his prestige is immense. A young woman has run off with a man from another tribe: so Medza is entrusted with the delicate task of retrieving her. When he reaches her village he has to wait for her return from another adventure, so he stays with his uncle, who passes him off as a prodigy of learning. Medza is entertained, loaded with gifts (most of which his uncle filches), consulted like an oracle, and even---much to his surprise---married. But his stay in Kala has to come to an end and he returns to his own part of the country only to find himself unable to come to terms with his family and their way of life."--Back cover
Lyrics Alley is the evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they've built for decades. In 1950's Sudan, the powerful Abuzeid dynasty has amassed a fortune through their trading firm. With Mahmoud Bey at its helm, they can do no wrong. But when Mahmoud's son, Nur, the brilliant, handsome heir to the business empire, suffers a debilitating accident, the family stands divided in the face of an uncertain future. As British rule nears its end, the country is torn between modernizing influences and the call of traditions past--a conflict reflected in the growing tensions between Mahmoud's two wives: the younger, Nabilah, longs to return to Egypt and escape "backward-looking" Sudan; while Waheeba lives traditionally behind veils and closed doors. It's not until Nur asserts himself outside the cultural limits of his parents that his own spirit and the frayed bonds of his family begin to mend. Moving from Sudanese alleys to cosmopolitan Cairo and a decimated postcolonial Britain, this sweeping tale of desire, loss, despair, and reconciliation is one of the most accomplished portraits ever written about Sudanese society at the time of independence.
Widely acclaimed as Naguib Mahfouz’s best novel, Midaq Alley brings to life one of the hustling, teeming back alleys of Cairo in the 1940s. From Zaita the cripple-maker to Kirsha the hedonistic cafe owner, from Abbas the barber who mistakes greed for love to Hamida who sells her soul to escape the alley, from waiters and widows to politicians, pimps, and poets, the inhabitants of Midaq Alley vividly evoke Egypt’s largest city as it teeters on the brink of change. Never has Nobel Prize-winner Mahfouz’s talent for rich and luxurious storytelling been more evident than here, in his portrait of one small street as a microcosm of the world on the threshold of modernity.
Winner of the 1980 English-Speaking Union Literary Award The first novel in Farah's universally acclaimedVariations on the Theme of an African Dictatorship trilogy,Sweet and Sour Milk chronicles one man's search for the reasons behind his twin brother's violent death during the 1970s. The atmosphere of political tyranny and repression reduces our hero's quest to a passive and fatalistic level; his search for reasons and answers ultimately becomes a search for meaning. The often detective-story-like narrative of this novel thus moves on a primarily interior plane as "Farah takes us deep into territory he has charted and mapped and made uniquely his own" (Chinua Achebe).
The moving story of a group of Nigerian women which follows their lives from their schooldays together through the trials and tribulations of their adult lives. Through their stories we see some of the universal problems faced by women everywhere: the struggle for financial independence and a rewarding career, the difficulties of relationships, and the dilemmas of bringing up a family, often without a partner. Set against the background of a developing Nigeria, this novel shows Flora Nwapa at her finest.
Changes explores the complex world in which the lives of professional working women have changed sharply, but the cultural assumptions of men's lives have not. Witty and compelling, Ama Ata Aidoo's novel, according to Manthia Diawara, "inaugurates a new realist style in African literature." "Aidoo writes with intense power in a novel that, in examining the role of women in modern African society, also sheds light on women's problems around the globe."-Publishers Weekly (starred review) Suggested for course use in: African literature African studies, Family Studies. Ama Ata Aidoo, one of Ghana's most distinguished writers, is the author of two other works of fiction, Our Sister Killjoy and No Sweetness Here (The Feminist Press), as well as plays, poems, and children's books.
The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. This special Harper Perennial Deluxe Edition features beautiful cover art on uncoated stock, French flaps, and deckle-edge pages, making it the perfect gift book. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it--from garden seeds to Scripture--is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters--the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.
The Nobel Prize-nominated Kenyan writer's powerful first novel. Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up. The first East African novel published in English, Weep Not, Child explores the effects of the infamous Mau Mau uprising on the lives of ordinary men and women, and on one family in particular. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From acclaimed author Dinaw Mengestu, a recipient of the 2012 MacArthur Foundation genius grant, comes an unforgettable love story about a searing affair between an American woman and an African man in 1970s America and an unflinching novel about the fragmentation of lives that straddle countries and histories. All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart--one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Elegiac, blazing with insights about the physical and emotional geographies that circumscribe our lives, All Our Names is a marvel of vision and tonal command. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn.
God's Bit of Wood is a 1960 novel by the Senegalese author Ousmane Sembène that concerns a railroad strike in colonial Senegal of the 1940s. The book deals with several ways that the Senegalese and Malians responded to colonialism. The book casts a critical regard towards accommodation, collaboration, and overall idealization of the French colonials. At the same time the story details the strikers who work against the mistreatment of the Senegalese people.In this vivid, timeless novel, Ousmane Sembène envinces the color, passion, and tragedy of those formative years in the history of West Africa. Ousmane Sembène later on went on to become the the Father of African Films, known to be the first film director from sub-Saharan Africa to achieve international recognition. He is known for Moolaadé (2004), Faat Kiné (2000), Camp de Thiaroye (1988), Xala (1975), Emitai (1971), and his debut film Black Girl (1966).
From the award-winning, bestselling author of Americanah and We Should All Be Feminists--a dazzling story collection filled with "indelible characters who jump off the page and into your head and heart" (USA Today). In these twelve riveting stories, the award-winning Chimamanda Ngozi Adichie explores the ties that bind men and women, parents and children, Africa and the United States. Searing and profound, suffused with beauty, sorrow, and longing, these stories map, with Adichie's signature emotional wisdom, the collision of two cultures and the deeply human struggle to reconcile them. A collection of twelve stories includes the tale of a medical student in hiding with a poor Muslim woman, and a woman who discovers a devastating secret about her brother's death.
The novel is a post-colonial exploration of the complex relationship between the East and the West. It tells the story of a young man who returns to his village in Sudan after studying in Europe, only to find that a new villager, a man who has also spent time in the West, has brought back with him a very different perspective on the relationship between the two cultures. The story unfolds as a gripping psychological drama, filled with themes of identity, alienation, and the clash of cultures.
A stunning new cover edition of Amos Tutuola's debut novel, first published by Faber in 1952. When Amos Tutuola's first novel, The Palm-Wine Drinkard, appeared in 1952, it aroused exceptional worldwide interest. Drawing on the West African Yoruba oral folktale tradition, Tutuola described the odyssey of a devoted palm-wine drinker through a nightmare of fantastic adventure. Since then, The Palm-Wine Drinkard has been translated into more than 15 languages and has come to be regarded as a masterwork of one of Africa's most influential writers.
Literally written as a long letter, as the novel begins, Ramatoulaye Fall is beginning a letter to her lifelong friend Aissatou Bâ. The occasion for writing is Ramatoulaye's recent widowhood. As she gives her friend the details of her husband's death, she recounts the major events in their lives, and her struggle for survival. Mariama Ba was the first winner of the Noma Award for publishing in Africa in 1980.
In the decade since it won the Booker Prize, Ben Okri's Famished Road has become a classic. Like Salman Rushdie's Midnight's Children or Gabriel Garcia Marquez's One Hundred Years of Solitude, it combines brilliant narrative technique with a fresh vision to create an essential work of world literature. The narrator, Azaro, is an abiku, a spirit child, who in the Yoruba tradition of Nigeria exists between life and death. The life he foresees for himself and the tale he tells is full of sadness and tragedy, but inexplicably he is born with a smile on his face. Nearly called back to the land of the dead, he is resurrected. But in their efforts to save their child, Azaro's loving parents are made destitute.
From the author of Changes: these stories "of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety" (Chimamanda Ngozi Adichi). In this short story collection, the award-winning poet and author of Changes and Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple's only child dies of a snake bite. In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and "even at her gravest, Miss Aidoo writes with a sunny charm" (The New York Times).
"Boyhood: Scenes from Provincial Life" is a semi-autobiographical novel that explores the author's childhood in South Africa during the apartheid era. The narrative delves into the complexities of family dynamics, racial tension, and the struggle of a young boy trying to understand his place in a divided society. The protagonist grapples with his identity, torn between his Afrikaner heritage and his English schooling, while also navigating the trials of adolescence. The book offers a poignant and often painful reflection on the formative years of a boy growing up in a fraught and turbulent time.
Friends since high school, the five young men at the heart of The Interpreters have returned to Lagos after studying abroad to embark on careers as a physician, a journalist, an engineer, a teacher, and an artist. As they navigate wild parties, affairs of the heart, philosophical debates, and professional dilemmas, they struggle to reconcile the cultural traditions and Western influences that have shaped them—and that still divide their country. Soyinka deftly weaves memories of the past through scenes of the present as the five friends move toward an uncertain future. The result is a vividly realized fictional world rendered in prose that pivots easily from satire to tragedy and manages to be both wildly funny and soaringly poetic
This book won the Nobel Prize in 1986.
When a young girl's dreams are cracked like a mirror and children are caught between two fathers harbouring teenage grudges we wonder at life's surprises. These are short stories that present a cross section of an African society presenting life in the village, life in town, portraits of teenagers and adults we encounter every day. These are stories about our struggles with the inevitable forces of life, providing some subtle and interesting insights to these struggles. They have been told by a woman who has, in these stories, proven to be a keen observer who mentally records the thrills, frustrations and idiosyncrasies of the people she encounters. We would wonder, laugh and sympathise with the characters she has so vividly recreated.
In the oil-rich and environmentally devastated Nigerian Delta, the wife of a British oil executive has been kidnapped. Two journalists--a young upstart, Rufus, and a once-great, now disillusioned veteran, Zaq--are sent to find her. In a story rich with atmosphere and taut with suspense, Oil on Water explores the conflict between idealism and cynical disillusionment in a journey full of danger and unintended consequences. As Rufus and Zaq navigate polluted rivers flanked by exploded and dormant oil wells, in search of "the white woman," they must contend with the brutality of both government soldiers and militants. Assailed by irresolvable versions of the "truth" about the woman's disappearance, dependent on the kindness of strangers of unknowable loyalties, their journalistic objectivity will prove unsustainable, but other values might yet salvage their human dignity.
The Nobel Prize-nominated Kenyan writer's best-known novel, featuring an introduction by Nobel Prize winner Abdulrazak Gurnah Set in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952-1960 Emergency. At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.
As a child she witnessed the upheavals of postcolonial Africa, danger, flight, the bitterness of exile in Britain, and the terrible consequences of her dissident father's stand against tyranny. Mohamed Forna was a man of unimpeachable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had been one of the first black students to come to Britain after the war. He stole the heart of Aminatta's mother, to the dismay of her Presbyterian parents, and returned with her to Sierra Leone. But as Aminatta Forna shows with compelling clarity, the old Africa was torn apart by new ways of Western parliamentary democracy, which gave birth only to dictatorships and corruption of hitherto undreamed-of magnitude. It was not long before Mohamed Forna languished in jail as a prisoner of conscience, and worse was to follow. Aminatta's search for the truth that shaped both her childhood and the nation's destiny began among the country's elite and took her into the heart of rebel territory. Determined to break the silence surrounding her father's fate, she ultimately uncovered a conspiracy that penetrated the highest reaches of government and forced the nation's politicians and judiciary to confront their guilt. The Devil That Danced on the Water is a book of pain and anger and sorrow, written with tremendous dignity and beautiful precision: a remarkable, and important story of Africa."
Yvonne Vera's novels chronicle the lives of Zimbabwean women with extraordinary power and beauty. Without a Name and Under the Tongue, her two earliest novels, are set in the seventies during the guerrilla war against the white government. In Without a Name (winner of the 1994 Commonwealth Prize) , Mazvita, a young woman from the country, travels to Harare to escape the war and begin a new life. But her dreams of independence are short-lived. She begins a relationship of convenience and becomes pregnant. In Under the Tongue (1996), the adolescent Zhizha has lost the will to speak. In lyrical fragments, Vera relates the story of Zhizha's parents, and the horrifying events that led to her mother's imprisonment and her father's death. With this novel Vera became the first Zimbabwean writer ever to deal frankly with incest. With these surprising, at times shocking novels Vera shows herself to be a writer of great potential.
With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster's household. Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into a flinty cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. Meanwhile, Mussolini's technologically advanced army prepares for an easy victory. Hundreds of thousands of Italians--Jewish photographer Ettore among them--march on Ethiopia seeking adventure. As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians. But how could she have predicted her own personal war as a prisoner of one of Italy's most vicious officers, who will force her to pose before Ettore's camera? What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, indelible exploration of what it means to be a woman at war.
Set amidst the turbulence of 1950s Cairo, Beer in the Snooker Club is the story of Ram Bey, an over-educated, under-ambitious young Egyptian struggling to find out where he fits in. Ram's favorite haunt is the fashionable Cairo Snooker Club, whose members strive to emulate English gentility; but his best friends are young intellectuals who devour the works of Sartre and engage in dangerous revolutionary activities to support Egyptian independence. By turns biting and comic, Beer in the Snooker Club -- the first and only book by Waguih Ghali -- became a cult classic when it was first published and remains a timeless portrait of a loveable rogue coming of age in turbulent times.
"When his brilliant younger brother is discovered wandering naked in the market, stark, raving mad, the nameless storyteller looks back on Rayo's life - a life of questioning and absurdity. Wilfully impetuous and with the resourcefulness of his youth, Rayo challenges the corrupt systems that control the lives of his fellow countrymen. He starts with a grotesque school bully and works his way up to an eventual headlong collision with the centre of political power."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc.
The second novel in Chinua Achebe's masterful African trilogy, following Things Fall Apart and preceding No Longer at Ease When Things Fall Apart ends, colonial rule has been introduced to Umuofia, and the character of the nation, its values, freedoms, religious and socio-political foundations have substantially and irrevocably been altered. Arrow of God, the second novel in Chinua Achebe's The African Trilogy, moves the historical narrative forward. This time, the action revolves around Ezeulu, the headstrong chief priest of the god Ulu, which is worshipped by the six villages of Umuaro. The novel is a meditation on the nature, uses, and responsibility of power and leadership. Ezeulu finds that his authority is increasingly under threat from rivals within his nation and functionaries of the newly established British colonial government. Yet he sees himself as untouchable. He is forced, with tragic consequences, to reconcile conflicting impulses in his own nature--a need to serve the protecting deity of his Umuaro people; a desire to retain control over their religious observances; and a need to gain increased personal power by pushing his authority to the limits. He ultimately fails as he leads his people to their own destruction, and consequently, his personal tragedy arises. Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.
Childhood and growing up in Mimboland, Cameroon are infused with fascinating stories and adventures. Discover life in Abakwa with Tom and his friend, as they are chased through an orchard for secretly harvesting avocadoes and mangoes. Smile as Mathias Chi's overloaded canoe almost loses balance. Shiver as Roland runs through the dark streets and bleeding corridors of Mvog Mvog. And cry when Big Brother discovers how his siblings suffered when he was away at school. What happens to Esther when she finds the courage to make an announcement at the Abakwa Mountain Foot Radio Station about her husband's disappearance? Will Prudencia and Collette kill or give life? How does Prisca Lum deal with her dwarf husband? Some characters will remind you of people you know - or even of yourself. Drum beats and church bells, thunder and lightning, princes and princesses, visions and deceptions fill the pages. Discover your favorite stories waiting to be told and retold, again and again.
From the bestselling author of Americanah and We Should All Be Feminists Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home--a home that is silent and suffocating. As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father's authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins' laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together. Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
Winner of the Macmillan Prize for African Adult Fiction. An uncompromising novel by one of Africa's premiere writers, detailing the horrors of civil war in luminous, haunting prose In 1980, after decades of guerilla war against colonial rule, Rhodesia earned its hard-fought-for independence from Britain. Less than two years thereafter when Mugabe rose to power in the new Zimbabwe, it signaled the begining of brutal civil unrest that would last nearly a half decade more. With The Stone Virgins, Yvonne Vera examines the dissident movement from the perspective of two sisters living in a small township outside of Bulawayo. In a portrait painted in successive impressions of life before and after the liberation, Vera explores the quest for dignity and a centered existence against a backdrop of unimaginable violence; the twin instincts of survival and love; the rival pulls of township and city life; and mankind's capacity for terror, beauty, and sacrifice. One sister will find a reasonfor hope. One will not make it through alive. Weaving historical fact within a story of grand passions and striking endurance, Vera has gifted us with a powerful and provocative testament to the resilience of the Zimbabwean people. Yvonne Vera won the 1994 Commonwealth Prize for her short story, Without a Name.
It is the week before the outbreak of the civil war in Somalia. Kalaman, a successful young businessman in Mogadiscio receives an unexpected house guest--the wild and sexually adventurous Sholoongo, his childhood crush returned from America. She announces that she intends to have his baby. Confronted by this dangerous interruption from his past, Kalaman starts to investigate his family's history, and uncovers the startling key to his own conception. Hailed by Salman Rushdie as "one of the finest contemporary African novelists," Farah writes in a rhythmical, sensual prose reminiscent of Garcia Marquez's best fiction. Evoking the beauty and tragedy of Africa, Secrets is a remarkable portrait of a family disintegrating like its country, its ties dissolved by exposed lies and secrets.
A classic story of moral struggle in an age of turbulent social change and the final book in Chinua Achebe's The African Trilogy. When Obi Okonkwo, grandson of Okonkwo, the main character in Things Fall Apart returns to Nigeria from England in the 1950s, his foreign education separates him from his African roots. No Longer at Ease, the third and concluding novel in Chinua Achebe's The African Trilogy, depicts the uncertainties that beset the nation of Nigeria, as independence from colonial rule loomed near. In Obi Okonkwo's experiences, the ambiguities, pitfalls, and temptations of a rapidly evolving society are revealed. He is part of a ruling Nigerian elite whose corruption he finds repugnant. His fate, however, overtakes him as he finds himself trapped between the expectation of his family, his village--both representations of the traditional world of his ancestors--and the colonial world. A story of a man lost in cultural limbo, and a nation entering a new age of disillusionment, No Longer at Ease is a powerful metaphor for his generation of young Nigerians.
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